Contents
  1. The short answer
  2. Order of checks
  3. Observable file properties versus visual judgments
  4. Setting resolution in the Image Size dialog
  5. Keeping a logo scalable inside Photoshop
  6. Rebuilding a logo from a low-resolution image
  7. Export compatibility
  8. Permissions
  9. What remains unknown here

The short answer

Photoshop works mainly with pixels, so a logo's resolution there comes from its pixel dimensions. Raising the ppi value in the Image Size dialog does not add detail. With Resample turned off, a new ppi only changes the printed size of the same pixels. With Resample turned on, Photoshop calculates new pixels by interpolation. That can smooth edges a little, but it cannot recover shapes, corners or lettering that were never captured. If a low-resolution logo has to stay sharp at any size, you need its original vector artwork or a vector reconstruction. Photoshop's resolution setting cannot supply either.

This answer covers Photoshop's general behavior. No specific logo file was supplied, so it cannot tell you whether your file contains vector data or what output size you need. The checks below let you work that out for your own file.

Order of checks

  • 1. Inspect what the file actually contains before changing any settings. Open Image > Image Size and note the pixel width and height. Then look at the Layers panel to see which layer types are present.
  • 2. Find out whether a vector original exists. This might be the source file from the designer, a brand asset package or a version embedded in a PDF. Using the original is always better than rebuilding.
  • 3. Define the output. Find out the pixel dimensions or print size and resolution that the printer, platform or brand guide requires. These requirements were not supplied here and should come from whoever receives the file.
  • 4. Compare the two. If the existing pixels already meet the target, you only need to set the ppi without resampling. If they fall short, decide whether a modest upsample is acceptable for that one use or whether the logo needs to be redrawn.

Observable file properties versus visual judgments

A sharp preview or a familiar file extension does not prove a logo is vector. A PSD, PDF, EPS or SVG can each contain embedded raster images. Zooming in on a large raster file can also look clean at screen sizes. Separate what the file reports from what your eye concludes.

Check | Type | What it tells you
Pixel dimensions in Image Size | Observable property | The real amount of image detail in a raster layer
ppi value | Observable property | How densely those pixels are mapped to print size; it does not measure quality on its own
Pixel layer in the Layers panel | Observable property | Raster content that will soften or show stair-stepping when enlarged
Shape layer or vector mask | Observable property | Path-based geometry that Photoshop re-renders cleanly at new sizes
Type layer | Observable property | Live text that stays editable and sharp, as long as the font is available
Smart Object | Observable property | A container; open it to see whether it holds vector artwork or placed pixels
File extension | Observable property, weak evidence | The container format only, not how the logo was built
Edges look crisp at current zoom | Visual judgment | Not proof of vector construction; test at the largest size you actually need
Colors and proportions look right | Visual judgment | Worth confirming against a brand guide if one exists

Setting resolution in the Image Size dialog

The Resample checkbox determines whether a change affects the pixels or only the metadata.

  • Resample off: width, height and resolution are locked together. Changing ppi changes the document's physical print size, and the pixel count stays the same. This is the safe way to meet a print resolution requirement when you already have enough pixels.
  • Resample on: the pixel count changes. Downsampling discards detail. Upsampling generates new pixels with the interpolation method you choose. Some methods, such as Preserve Details, try to keep edges cleaner, but they still estimate content rather than restore it.
  • After upsampling, check curves, thin strokes, small counters in letters and points where shapes meet. Those areas usually show interpolation artifacts first.

Keeping a logo scalable inside Photoshop

Photoshop does support some resolution-independent content. Shape layers, vector masks and type layers are stored as paths and text rather than pixels, so they re-render when the document is resized. Vector artwork placed as a Smart Object from a vector application can also be rescaled without the degradation a pixel layer shows. However, any filters, layer styles or pixel edits are still rendered at the document's resolution. A Photoshop file is also not a full substitute for a native vector logo file when you need to hand it to other software.

Rebuilding a logo from a low-resolution image

When the only available source is a small or blurry raster image, the reliable route is to treat that image as a reference and redraw the logo as paths.

  • Place the low-resolution image on its own layer, reduce its opacity and lock it so it cannot be traced over by accident.
  • Rebuild geometric parts with shape tools and organic curves with the Pen tool. Aim for as few anchor points as the shape allows, and avoid copying the jagged pixel outline.
  • Identify any lettering. If the typeface can be found and licensed, set it as live text instead of tracing it. If it is custom, redraw it as paths.
  • Where the source is too degraded to show a detail clearly, flag that detail as a judgment call. It may need to be confirmed against another sample or with the logo owner.
  • For anything beyond simple shapes, a dedicated vector editor gives better path control and more portable output than Photoshop. Automatic tracing features in those tools are a starting point. Their results still need manual cleanup.

Export compatibility

Formats such as PNG and JPEG are always raster, whatever the layer types in your PSD. Photoshop's PDF output can keep shape and type layers as vector data when the save options allow it. Even then, you should confirm the result by opening the exported file and checking whether its elements are paths, text or embedded images. Don't rely on how the export looks. If the recipient asks specifically for an editable vector logo, export from a vector editor instead.

Permissions

Having a logo file, or being able to redraw it, does not give you the right to use or alter it. Before you reconstruct, modify or redistribute a logo, confirm that you have the owner's permission or a license that covers your intended use.

What remains unknown here

No file, target output size, printer specification or brand guide was provided. That means it is not possible to say whether your logo already has enough pixels, whether it contains usable vector layers, or whether upsampling would be acceptable for your use. Answering those questions requires the inspection steps above on the actual file and the output requirements from whoever will receive it.