Google Old vs. New Logo: A Practical Design Comparison
Compare the old Google logo with the 2015 redesign: color order, typeface, file formats, and practical implications for screens, favicons, and brand materials.
Contents
Define the alternatives
The comparison usually covers the 1999–2015 wordmark with its serif letters and slightly dimensional letterforms, and the 2015 flat sans-serif version introduced alongside the Google Sans typeface system. A third transitional logo existed briefly in 2013–2015, but the practical contrast readers ask about is between the familiar serif mark and the current flat design. The intended use matters: someone preparing a presentation or documentation needs a clean high-resolution asset, while someone discussing brand history primarily needs the visual and color changes.
Compare meaningful differences
The most visible difference is the typeface. The old logo used a modified serif face; the new logo uses a geometric sans-serif with a two-story lowercase g and simplified letterforms. The color sequence also changed. The old wordmark retained the classic order blue, red, yellow, blue, green, red. The new mark keeps the overall palette but repositions the yellow o and adjusts blue and green values to improve consistency across light and dark backgrounds.
Flat rendering is another functional difference. The older logo often appeared with a bevel or shadow in product interfaces. The current logo is deliberately flat, which scales more predictably at small sizes such as browser tabs and favicons. The suite also moved toward a set of colored G icons for compact contexts, so the full wordmark is not always used where the old version might have appeared.
Practical trade-offs
For screen use, the flat sans-serif mark is easier to reproduce cleanly on low-resolution displays and in small UI spaces. The old serif mark may look uneven in very small raster renders unless a high-resolution asset is downscaled carefully. For print or archival materials, the choice is usually governed by the year being represented rather than by technical quality: using the correct mark for the period is more important than choosing the render that seems sharper.
File handling follows the same rule as any logo comparison. Published vector files reconstruct the shape accurately at multiple sizes, while raster files lock in a resolution. Color values vary between source files, so relying on an upload or screenshot without checking the palette may introduce a slight shift. None of this implies a measured performance difference; it is a workflow difference in how the asset must be prepared.
Choose for the use case
Choose the current mark when the material represents the present-day product, a current interface, or a modern brand reference. Choose the old mark when the material is historical, dated before September 2015, or needs to match an older screenshot or product era. When the exact date range is uncertain, check the surrounding interface rather than relying on the logo alone, because the transitional versions changed in the same period.
For small-size use such as a favicon or tab icon, prefer the compact G symbol or a cleanly cropped current wordmark over squeezing the full old wordmark into a tiny box. For a side-by-side design comparison, place both marks at equal visual height rather than equal image dimensions, and test them on light and dark backgrounds before deciding which better serves the layout.
